It's a zoo animal meets circus animal rivalry formed, and Alex and gang wanting to stick around, with thanks to the Penguins, because the circus is en route to Rome and London, where an American circus event promoter would be in town to evaluate if the troupe can make money if brought across the Atlantic, and naturally, New York. Then the narrative goes up a notch with the introduction of some circus animals with whom our protagonists get to mix with in order to momentarily escape the fanatical clutches of DuBois, and in comes the opportunity to expand on its cast, with the likes of Jessica Chastain, Bryan Cranston and Martin Short entering the fray as a cheetah, tiger and sea lion respectively, each with its own distinct quirk, objective and baggage. It's clearly one of the better 3D efforts in an animated feature film that took pains to ensure the medium got milked for the premium ticket you paid for.
Granted it's a slow start, but when it picked up with Frances McDormand voicing the French policewoman Captain Chantel DuBois, more of an animal hunter in disguise and hell bent on adding a lion to her trophy wall, it really went over the top with a multitude of action sequences that get set to show off dedicated and meticulously crafted moments for 3D. So they hatch a plan to regroup with the Penguins, who had left with the Monkeys in their flying machine to Monte Carlo and its glitzy casinos, and compel them to take everyone back to New York. We go back to where we last left off, rejoining Alex the Lion (Ben Stiller), Marty the Zebra (Chris Rock), Melman the Giraffe (David Schwimmer) and Gloria the Hippo (Jada Pinkett Smith) who are still in Africa, but getting homesick and yearn for their lives back in New York. There are other film franchises that grow from strength to strength though, such as Ice Age where we get to go on an incredibly long journey with its characters trying to survive the inevitable change and extinction, and then there's Madagascar, with Europe's Most Wanted surprisingly having a lot more to offer than what it had suggested. Think Shrek, which started brightly, but with each sequel the grumpy ogre and his friends started to become cheap parodies of themselves. There are eager animated film franchises that rehashed the same old themes and gags in all its installments, and deservedly crashed under its own repetitiveness.
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